RaulBrito

Cinematic film, campaign ads and brand worlds, generated end to end and directed frame by frame. The models are fast. The taste is human.

Text

Handheld push into a 1989 Kowloon walk-up as a family reunion turns to heroic bloodshed, one brother mid-leap through the lamplight while another breaks for the door. Anamorphic 2.39 on Eastman 5247, tungsten practicals against neon, firecracker smoke and doves, deep blacks that keep their grain

Image
Image
Image
Image
Image
Image
Image
Image
Image
Image
Key art
Key art
Key artReunion
Trailer
TrailerReunion
Services

Prompts go in. Blocking,grade and rhythm come out.Work that readsdirected, not generated.

Cinematic Film

01
  • Direction
  • World-building
  • Lensing
  • Grade
  • Edit

Short films and trailers with real coverage: blocking, camera grammar, period looks and a locked grade, carried from first frame to final cut. Built like productions, not renders.

Campaign Ads

02
  • Concept
  • Script
  • UGC
  • Product
  • Spec

Ads without a shoot: UGC that reads phone-real, product spots and full spec campaigns, taken from concept to delivery. Two first places in judged weekly contests came out of this lane.

Brand Worlds

03
  • Identity
  • Character
  • Voice
  • Systems
  • Launch

Identities that go further than a logo: a face that stays the same person across hundreds of assets, a voice with edge, and the content system that keeps every post on brand.

Editorial & Stills

04
  • Fashion
  • Key Art
  • Print
  • Series
  • Research

Fashion editorials, key art and billboard-scale stills at print resolution, backed by a research archive of hundreds of graded frames across stocks, eras and looks.

About

I'mRaul,acreativetechnologistshapingfilms,adsandbrandidentitiesthatdon'tlookgenerated.Idirectmodelslikeacrew,lighting,lensing,gradeandrhythm,andIbuildthepipelinesthatkeepitallconsistent.Precisewhenitcounts,experimentalwhenitpaysoff.